Partial but extensive series of twentieth century British prints from the private collection. Helena Markson's aquatint The Palm House was striking for its transparent layers that merge and fade, inviting us into the space created by varying passage of light and shade.
'a more democratic role for prints' (Bolton Art Gallery, April 2015). Partial but extensive series of twentieth century British prints from the private collection. Helena Markson's aquatint The Palm House was striking for its transparent layers that merge and fade, inviting us into the space created by varying passage of light and shade.
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Steph Shipley
Seeking out sites of heterotopia in the common landscape; at once familiar but set aside or transitory, disturbing what surrounds them. Re-imagined through analogue photography, sound, projection and printmaking. Categories |