'a more democratic role for prints' (Bolton Art Gallery, April 2015).
Partial but extensive series of twentieth century British prints from the private collection. Helena Markson's aquatint The Palm House was striking for its transparent layers that merge and fade, inviting us into the space created by varying passage of light and shade.
Partial but extensive series of twentieth century British prints from the private collection. Helena Markson's aquatint The Palm House was striking for its transparent layers that merge and fade, inviting us into the space created by varying passage of light and shade.
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